I am a PhD researcher at the Royal Institute for Theatre, Cinema and Sound (RITCS) and the Vrije Universiteit Brussel (VUB), a Doctor in the Arts program in Brussels, Belgium. My writing touches metaphysical and experimental thinking - philosophy, psychoanalysis, art theory, performance, poetry. I read Lacanian psychoanalysis and experimental modern art (notably conceptualism) as formalisations and experiences of an internal limit in the contemporary discourse of capitalism.
My artwork has been shown internationally, notably at Artists Space (New York), Kunsthalle Wien (Vienna), Kunsthal Mechelen (Belgium), Woonhuis (Amsterdam), Etablissement d'en face (Brussels), Alma Sarif (Brussels) and Kunstverein München (Munich). Publications include: ‘Olga Balema. Loop: Substance and Circumstance’ (Flash Art 2025), ‘Endure This Now: Literalist Art, Performance Art and the Enigma’ (Collateral 2024), ‘Australian Others: Penal logic and the pandemic’ (Meanjin 2021), ‘Sara Deraedt’ (Afterall 2020), ‘It–subject’ (Jacket2 2019), et al.
From 2018 to 2025, I was lecturer in art history, theory and critical practice at Erg (École de recherche graphique–école supérieure des arts), Brussels. I have given guest lectures and workshops at art and theory programs including Städelschule (Frankfurt), Kunsthochschule (Mainz), The Royal Danish Academy of Fine Arts (Copenhagen), LUCA School of Arts (Brussels), School of Art & Design, Australian National University (Canberra), et al. I have presented academic papers at Ghent University, University of Essex and University of New South Wales.
I hold a Master de spécialisation en Philosophie et Théorie Politiques from the Université Libre de Bruxelles (ULB) and a Postgraduate Diploma in Advanced Performance and Scenography Studies from the Posthogeschool voor Podiumkunst (a.pass), Brussels. Prior to that, I received first class Honours in Art History & Theory from The University of Sydney.
I am co-founder and co-director of Divided Publishing, Brussels and London (est. 2018). As Divided, I have edited the UK edition of Alenka Zupančič's Let Them Rot (2023); Joy James' In Pursuit of Revolutionary Love: Precarity, Power, Communities (2022), What the Fire Sees: A Divided Reader (2020), et al.
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| Photo: Anyuta Wiazemsky Snauwaert |
