https://nicc.be/project/nicc-vitrine-eleanor-ivory-webers-delay-today/
Eleanor Ivory Weber
Saturday 21 October 2023
Wednesday 12 April 2023
Wednesday 5 April 2023
Haus am Waldsee, Berlin
An exhibition as text, in texts.
https://hausamwaldsee.de/en/how-to-move-and-respond_lisaholzer-en/
Monday 6 March 2023
Friday 5 August 2022
Monday 1 August 2022
Schaufenster, Kunstverein München
https://www.kunstverein-muenchen.de/en/program/schaufenster/2022/eleanor-ivory-weber
The mouth is a clock without hands
A city skyline is silhouetted against a pink sunset, the lights of
the buildings are reflected in the water below, which looks purple. An
aeroplane flies out of the frame on the top left of the image, taking
off somewhere. It is a warm image, feels like summer’s coming, that
feeling at dusk when the night is full of potential and we don’t know
what will happen.
In the same movement reportage bears witness to the world and consumes
it. It is also a technique for making equivalences out of what is
irreconcilable. I keep track of the dates when important things happen
as a way to remember how the past shows up today. All the while I am
trying to understand how repetitions, forgetting and suspended
apprehension are equally part of personal and public events, places and
products.
Everything that enables us to record, witness and claim history, also
enables us to miss it. The news form is fatal and always precedes the
catastrophe of its daily content. Be wary when your senses are
trivialised by the marching gait of development, algorithms for
‘personal preferences’ or the hegemony of the new. Grief is not
objective.
(EIW)
Recognise this city?
2022
Poster found 7 December 2018 in the old Actiris building in the centre of Brussels, black and pink vinyl, ‘Ee’ typeface based on my handwriting designed 2016 by Ella Sutherland, 16 neodymium magnets
98 x 68 cm, dimensions variable
The mouth is a clock without hands
2022
Digital prints
15 x 15 cm
Daily news, “All the News That’s Fit to Print”, 14.04–05.06.2022, Munich
2020–
The New York Times International Edition purchased each day the exhibition is open to the public
Overseas (Majestic Fanfare, 1988 version)
2022
ABC Radio news broadcast theme played on the hour between 6 am and 11 pm (AEST), 9-second abridged version, 18-second main version at 7am only
Sunday 31 July 2022
Saturday 30 July 2022
Supply and supply, Brussels, Munich
Maison Pelgrims, 14 October 2021, 18:00
http://saintgillesculture.brussels/events/exposition-rosa-rosa-rosae-rosae

https://www.kunstverein-muenchen.de/en/program/schaufenster/2022/eleanor-ivory-weber
Sunday 24 October 2021
Monday 30 November 2020
Thursday 15 October 2020
Thursday 8 October 2020
No Private Problems, M.I/mi1glissé, Berlin
https://fb.me/e/3ZPr2Qi0N
https://kunsthauskule.de/M-I-mi1glisse
http://mi1glisse.com/multi/no-private-problems/eleanor-weber/
https://www.facebook.com/mi1glisse/photos/a.438973332951576/531685393680369/
Wednesday 7 October 2020
Tuesday 6 October 2020
Monday 5 October 2020
Sunday 4 October 2020
Thursday 24 September 2020
Subtracted Seduction, Hectolitre, Brussels
https://apass.be/subtracted-seduction/
https://soundcloud.com/cicatrise/subtracted-seduction
https://radiostudent.si/kultura/r-a-d-a-r/subtracted-seduction-and-this-situation

Monday 21 September 2020
Sunday 20 September 2020
Établissement d'en face, Brussels
https://www.etablissementdenface.com/in-the-past/aftertaste
https://www.etablissementdenface.com/in-the-past/the-pots-of-etablissement-6
Performance with four voices
Wednesday 9 September 2020
Monday 7 September 2020
Kunsthal Gent, Ghent
http://croxhapox.org/c/taxonomy/term/2540
https://kunsthal.gent/en/exhibitions/thirsty-thirsty-1-looking-at-the-letter-a
https://www.facebook.com/events/3339107969433849/
Contents/Consent (manufacturing the missive), 2002/2020
A3 photocopy, unlimited edition, recto verso: contents page of E. Herman & N. Chomsky’s Manufacturing Consent (2nd edition), protocol poem using Consent, page 1 of The New York Times International Edition (25 August 2020)
Monday 31 August 2020
Wednesday 26 August 2020
Damien & the Love Guru, Brussels
http://www.damienandtheloveguru.com/exhibitions/slow-reading-club-soft-cover-soft-cover
Seven poems [O-R-A-L-I-T-Y] or “I would say (write)” [Ong], 2019
A5 prints from an unlimited edition, wheat paste
Individual piece: 15 x 21 cm; Wall piece: 846 cm x 70 cm
The New York Times International Edition purchased each day the exhibition is open to the public, paper pedestal
35 x 26 cm