DELAY TODAY, Etablissement d'en face & NICC, Brussels

https://nicc.be/project/nicc-vitrine-eleanor-ivory-webers-delay-today/

No Private Problems, Alma Sarif, Brussels

https://almasarif.org/no-private-problems/

https://www.contemporaryartlibrary.org/project/eleanor-ivory-weber-at-alma-sarif-brussels-28709

 

Haus am Waldsee, Berlin

An exhibition as text, in texts.

https://hausamwaldsee.de/en/how-to-move-and-respond_lisaholzer-en/

Residency, Antwerpen

https://morphovzw.be/en/residenten/eleanor-ivory-weber

Residency, New York

https://residencyunlimited.org/residencies/eleanor-ivory-weber/

https://residencyunlimited.org/programs/the-structure-of-looking/

Schaufenster, Kunstverein München

https://www.kunstverein-muenchen.de/en/program/schaufenster/2022/eleanor-ivory-weber

The mouth is a clock without hands

A city skyline is silhouetted against a pink sunset, the lights of the buildings are reflected in the water below, which looks purple. An aeroplane flies out of the frame on the top left of the image, taking off somewhere. It is a warm image, feels like summer’s coming, that feeling at dusk when the night is full of potential and we don’t know what will happen.

In the same movement reportage bears witness to the world and consumes it. It is also a technique for making equivalences out of what is irreconcilable. I keep track of the dates when important things happen as a way to remember how the past shows up today. All the while I am trying to understand how repetitions, forgetting and suspended apprehension are equally part of personal and public events, places and products.

Everything that enables us to record, witness and claim history, also enables us to miss it. The news form is fatal and always precedes the catastrophe of its daily content. Be wary when your senses are trivialised by the marching gait of development, algorithms for ‘personal preferences’ or the hegemony of the new. Grief is not objective.
(EIW)

Recognise this city?
2022
Poster found 7 December 2018 in the old Actiris building in the centre of Brussels, black and pink vinyl, ‘Ee’ typeface based on my handwriting designed 2016 by Ella Sutherland, 16 neodymium magnets
98 x 68 cm, dimensions variable

The mouth is a clock without hands
2022
Digital prints
15 x 15 cm 

Daily news, “All the News That’s Fit to Print”, 14.04–05.06.2022, Munich
2020–
The New York Times International Edition purchased each day the exhibition is open to the public


Overseas (Majestic Fanfare, 1988 version)
2022
ABC Radio news broadcast theme played on the hour between 6 am and 11 pm (AEST), 9-second abridged version, 18-second main version at 7am only

Recognise this city?

 

Supply and supply, Brussels, Munich

Maison Pelgrims, 14 October 2021, 18:00
http://saintgillesculture.brussels/events/exposition-rosa-rosa-rosae-rosae

 

Kunstverein München, 4 June 2022, 19:00
https://www.kunstverein-muenchen.de/en/program/schaufenster/2022/eleanor-ivory-weber

 

 

Supply and supply, 2021

performance, approx. 30 minutes

Australian Others: Penal Logic and the Pandemic, Meanjin

https://meanjin.com.au/blog/australian-others-penal-logic-and-the-pandemic/

Limit as material, LUX and the Artistic Estate of Ian White

https://lux.org.uk/event/limit-as-material
http://ianwhiteestate.org/limit-broadcasts.php

Sara Deraedt, Afterall

https://afterall.org/online/sara-deraedt

Divided Publishing Ltd., Brussels/London

http://divided.online

http://twitter.com/dividedpublish

http://instagram.com/dividedpublish

No Private Problems, M.I/mi1glissé, Berlin

https://fb.me/e/3ZPr2Qi0N
https://kunsthauskule.de/M-I-mi1glisse
http://mi1glisse.com/multi/no-private-problems/eleanor-weber/
https://www.facebook.com/mi1glisse/photos/a.438973332951576/531685393680369/

 

 

No Private Problems, 2016

Coat hangers, coat rack, bulldog clips, A3 posters from a series of 43

SpringMeeting, Performing Arts Forum, St Erme

2019: http://www.pa-f.net/node/25134

2020: https://www.pa-f.net/node/25140

2021: https://www.pa-f.net/sm2021

Jacket2, Philadelphia

https://jacket2.org/poems/it-subject

Oscillation Mayday Radio Marathon, Q-O2, Brussels

https://www.radiopanik.org/emissions/emissions-speciales/eleanor-ivory-weber-oscillation-mayday-radio-marathon/
https://soundcloud.com/q-o2/eleanor-ivory-weber-2x-sub-text-labours-marcusmarcus-bergner-tsjapboek

Erg (école de recherche graphique), Brussels

http://wiki.erg.be/m/#Eleanor_Ivory_Weber
http://wiki.erg.be/m/#Reading,_Listening,_Speaking_Seminar
http://wiki.erg.be/m/#Pratique_de_l%E2%80%99art_-_outils_critiques,_arts_et_contexte_simultan%C3%A9s_(MA)

Subtracted Seduction, Hectolitre, Brussels

https://apass.be/subtracted-seduction/
https://soundcloud.com/cicatrise/subtracted-seduction
https://radiostudent.si/kultura/r-a-d-a-r/subtracted-seduction-and-this-situation

 

Glossolalien missive, 2019

Performance with one voice

Word without return, Brussels

https://iselp.be/fr/evenements/word-without-return
https://anchor.fm/cantwont/episodes/Eleanor-Ivory-Weber-and-camille-grenton---Word-without-return-eb0224

Établissement d'en face, Brussels

https://www.etablissementdenface.com/in-the-past/aftertaste
https://www.etablissementdenface.com/in-the-past/the-pots-of-etablissement-6

 

Smog III: Glossolalien missive, 2018
Performance with four voices

RRN (2006-2019)

http://raddestrightnow.blogspot.com/

Kunsthal Gent, Ghent

http://croxhapox.org/c/taxonomy/term/2540
https://kunsthal.gent/en/exhibitions/thirsty-thirsty-1-looking-at-the-letter-a
https://www.facebook.com/events/3339107969433849/

Contents/Consent (manufacturing the missive), 2002/2020

A3 photocopy, unlimited edition, recto verso: contents page of E. Herman & N. Chomsky’s Manufacturing Consent (2nd edition), protocol poem using Consent, page 1 of The New York Times International Edition (25 August 2020)

Married to the alt-right, Sydney/Brussels

https://firstdraft.org.au/program/aroundtheoutside3

https://anchor.fm/cantwont/episodes/Eleanor-Ivory-Weber---Married-to-the-Alt-Right-ece1ld

Damien & the Love Guru, Brussels

 http://www.damienandtheloveguru.com/exhibitions/slow-reading-club-soft-cover-soft-cover

Seven poems [O-R-A-L-I-T-Y] or “I would say (write)” [Ong], 2019
A5 prints from an unlimited edition, wheat paste
Individual piece: 15 x 21 cm; Wall piece: 846 cm x 70 cm

 

Daily news (“All the News That’s Fit to Print”) [10.01 – 28.02.2020, SCSC], 1887 –
The New York Times International Edition purchased each day the exhibition is open to the public, paper pedestal
35 x 26 cm